A collection of art pieces that expose the contradiction between
Costa Rica's marketed image as paradise and the country's dire realities
TOOLS
Processing
Adobe Illustrator, Adobe Photoshop
Acrylic paint on canvas & wood
YEAR
2019
The Capstone Project is a graduation requirement at New York University Abu Dhabi. As part of the Art and Art History program's Art Practice track, I had to create pieces for an exhibition and write an essay to explain my creative process and the research behind it.
Below are 2 out of the 5 groups of pieces I developed for my capstone exhibition.
Concept
In Costa Rican folklore, espantos are specters whose presence incites terror, doomed for eternity to warn humans about the consequences of defying the laws of good behavior.
In a world plagued by conflict, violence, and environmental destruction, Costa Rica often stands out as a peaceful haven of natural beauty and tranquility. Yet espantos roam the country’s rolling hills and sandy beaches, evidences of a rottenness that coexists with the idyll, not necessarily hidden but often camouflaged. Locals acknowledge and fear them. Outsiders tend to ignore them until the consequences are too obvious to overlook...
Does heaven crumble when the specters are finally revealed?
Zooming By
This piece is a Processing sketch that mimics a map from Visit Costa Rica, the official website for Costa Rican tourism under the nation brand Essential Costa Rica. The map pinpoints locations where tourists can find ziplines, hanging bridges, and/or cable cars.
In my version of the map, I included fourteen such places found throughout the country and accompanied them with eight sites that show evidence of environmental damage, demonstrating that even a “green country” suffers from destruction and neglect. These locations were identified after a process of thorough research through national and international news sources.
When a user chooses a location, the screen changes into a photograph of the place framed as a vintage-style postcard. An image of a tourist appears, moving through a zipline, and at some point along the path, an audio clip plays a sound that expresses joy and excitement.
This occurs even for the sites of destruction; the effect might be absurd and even disturbing, but this is precisely what I wished to incite. As a tourist, you arrive to a place, enjoy it, and leave after a short stay. You experience your destination in a detached manner (as if zooming over it on a zipline). But for the locals, permanently coexisting with the negative environmental conditions in such places, the damage comes at a high cost.
Music
Tino López Guerra - “Mi linda Costa Rica” (1930s)
Influences
Justin Hook - Push Trump Off a Cliff Again!
Jonny Farrow - Daniel Boone’s Wanderlust in the Form of an Interstellar Racoon Skin Cap
Idyll
As a genre, landscape painting was introduced in Costa Rica in the 19th century and continued to be popular among national painters throughout the 20th century. Artworks such as the ones below represented picturesque and idyllic scenes of Costa Rican rural life.
For my capstone, I painted copies of these three landscapes. My intention, however, was to introduce elements into the images that “disrupt” their idyllic nature, by pointing to social issues in Costa Rica that contradict the tranquility of the scenes. My additions are paper cutouts of images found in newspaper articles related to drug violence in the country, incited by the increasing trafficking of illegal substances in Costa Rican territory. These images show two hitmen on a motorcycle, a famous drug lord being arrested, and a forensic investigator next to a covered corpse.
Influences
Francisco Munguía - Guaro con machetes sobre acuarela de Fausto Pacheco
Francisco Munguía - Montaña de basura sobre paisaje de Dinorah Bolandi